That Floating Poo Was Way Too Symbolic! These Are the Television Disappointments of the Past Year.

Looking back, we consider the television offerings of the recent year, a selection of series stand out not for their excellence, but for their notable failures. Ranging from cringe-inducing spin-offs to bafflingly bad docuseries, here are the productions that had us scratching our heads or simply reaching for the remote.

And Just Like That

Where to begin with this divisive spin-off? Plagued with dreadful scripts, painful character development (justice for Miranda!), and a paltry 71 seconds of beloved Samantha, the show fought to find its footing. For a moment, as the third series began, it looked like it had at last found its groove. Then arrived an episode all about Seema’s natural deodorant. No wonder the creator announced this would be the last season. It concluded on a bum note; the closeup of Miranda’s toilet flooded with poo was simply too symbolic. Yet, viewers undeniably found joy picking apart every single “what on earth?” episode. And as Carrie – a single woman once more – danced around her sprawling townhouse to Barry White, who didn’t let out a little sob?

All’s Fair

‘Is Kim Kardashian an actress? The answer is a resounding no.’

But that was almost the smallest of this drama's issues. The recipient of a very rare zero star assessment, it was hard to know where to start enumerating the flaws. The hilariously wooden writing? The mind-numbing glorification of wealth and materialism? The seemingly deliberate procession of cliches? Acting so poor they felt almost malicious? Suffice it to say “all of the above” and never speak of this show again. Except, a second season has been commissioned, so we’re probably going to have to.

The Charlie Sheen Documentary

Given the legal troubles, domestic violence allegations and fatherly failures, it’s reasonable to say Charlie Sheen has been a troubled figure. Not that you’d truly have gleaned it from this multi-part docuseries which chuckled along at Sheen’s various bouts of self-destructive hedonism while failing to tell us anything we weren't already aware of. Instead, it felt as if this loose cannon was being pandered to, so any pity this series might induce should be saved for the people who have had to endure close contact with this charming but dismissive narcissist.

The Iris Affair

Naturally we understood it was preposterous from the outset: a thriller about a AI known as Charlie Big Potatoes that could either save the world – or destroy all of humanity. We stuck with it out of sheer admiration for its stars … but by the end, it felt like even they had stopped bothering. One scarcely reacted when his character died, and the other ended up hacking Charlie with an axe … in painfully slow-motion. That's what you call giving up the ghost.

MobLand

Dodgy characters convening in empty boxing gyms? A certain band's Firestarter jackhammering away in club scenes? The late 90s called and wants its crime drama back.

Actually, that is unfair on the crime shows of the late 90s. Many seem a little dated now, but at least they didn’t endure the ignominy of having to accommodate unconvincing dialects. But there were plenty of other issues. Mainly that it was just profoundly boring; a conflict over drug-selling territory between various London rogues which seemed rather simplistic.

The Meghan Markle Series

Given the extent to which she grinds the gears of certain ostentatiously enraged commentators, it’s almost easy to applaud the Duchess of Sussex’s various ventures into quaint homemaking as intentional provocations. But then you watch them and are forced to concede that in this case, they may have a point. It’s like watching a homeware catalogue come to life; a meme for evening drinks with delusions of grandeur; a parade of snoozing dogs, buzzing beehives, Hallmark sayings and pointless crafting “tips” you’ll not remember instantly. All underpinned by immense, mostly undeserved wealth. Ugh.

The Beckham Documentary

There are obviously fascinating things to be said about both Victoria Beckham and her journey with career, self-image, self-worth. But for some reason, this documentary series chose not to explore them. Instead, the experience was like reading a sales catalogue. She clearly has every right to bridle at what she describes as her “miserable cow” image. But sadly, she failed to do herself any helps with this guarded non-event of a series.

The Game Show

It had the potential to be the next big hit – except even camper, with a famous star as a deceased benefactor and a well-known personality managing her estate. What more could you ask for? As players competed, there was plenty of betrayal and arguing. But the rules quickly became bewildering: it’s even now too complicated to explain what precisely was happening. Even more regrettably, we only saw glimpses of the star via prerecorded videos. The series ended up reeking of a production that was trying way too hard to live up to something way beyond it.

Too Much

How do you succeed a show that defined a generation? The pressure was enormous for this glitzy romcom about Jessica, a hopeful New Yorker who arrives in London with a broken heart. The lead actress seized the opportunity by the horns and was a delight to watch, embodying Austen levels of romantic ideals. But it was all very slick and, paradoxically, was not enough. Plus, the abundance of famous cameos involved felt icky.

The Sketch Show Return

Not even good enough to be ‘patchy’.

Given the shrewd recruitment of talented emerging comics, expectations were high. But unhappily, most of it fell flat. A recurring sketch was a single joke stretched to a husk but recurring in every episode. One star seemed too ready to slip into a familiar ranting mode. The writing room sketches, meanwhile, simply inspired the idea that they should probably have stayed in there a while longer.

The Twisted Tale of Amanda Knox

This retelling of the story of Amanda Knox was executive produced by Amanda Knox and pretty much exclusively presented the viewpoint of Amanda Knox. So, while there undoubtedly is an interesting drama to be made about the tragic 2007 murder, this isn’t it. The material needed to be treated with care. Rather, the series laboured awkwardly to find the right voice, lumbering from oddly jaunty, slightly mannered farce to ultimately, real-life horror. Complex? Perhaps. A total mess? Very much so.

The Maths Genius Thriller

We admire the lead actor … but did we believe him playing the most brilliant maths genius in history, a man so intelligent he’s on the verge of a discovery that could destabilise society? No! This globe-trotting thriller about secret services spying on – and eliminating – intellectuals frankly got more farcical by the second. Formulaic nonsense.

The Bonnie Blue Documentary

This uncritical portrait followed the online personality renowned for explicit exploits as she prepared for her most extreme feat yet. What on earth would motivate her? What we wanted was way more interrogation of her actual psyche, plus those of the men in the queue. They could at least have interviewed the legendary mum who appeared to haul her son out of the queue. What we got was horrific shots and absolutely no critical analysis of her notoriety whatsoever. It's staggering to consider, the filmmaker has a young daughter too.

Nicholas Kennedy
Nicholas Kennedy

Elara Vance is a tech journalist with over a decade of experience covering UK innovations and digital trends.